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This study explores consumers normative and ethical preferences with regards to corporate responsibility (CR), and the role of companies in the governance of nature, in order to identify diverse consumer perspectives on CR.
The overall aim of the project is to enable the large scale roll-out of liquefied natural gas (LNG) and liquefied biogas (LBG) as a transport fuel.
This project revisits and develops sections from ‘Lunar Parables', choreographed by Sara and Jerry Pearson.
This AHRC-funded project provided public access, via one web platform, to several distinct dance collections from the NRCD.
This work project aims to place value on the importance of physical activity in policy solutions in the medium - long term, as well as develop and validate short-term interventions in delivering health and economic outcomes to individuals and the Midlands economy.
Under the moniker of SPECT.ANON. George Saxon and Ryan Sehmar worked with Vivid Projects as part of a year-long residency to re-imagine worlds under curfew during a shared self-isolation. A series of events, referred to as interludes and intervals, were developed within the environment of an empty space. The audience was beckoned into a wooden structure, where potential action and intervention were recorded at given intervals, as the artists deciphered the interior world (inner space) of this existence together with the fragile tensions and antagonisms presented by the exterior world (outer space).
‘Signals’ is a choreographed live action performance made in response to a series of constructed sound loops that are triggered for the duration of the piece. It is based on an original set of sketches titled ‘Broom-Self/Mop-Spirit’ (1980) found in the Spect. Anon book by the late D. John Briscoe. The performance attempts to decipher fragments from the notes, drawings and typewritten texts, taking cues from invocations and litanies from the Egyptian Book of the Dead and suggesting relationships to breathing, air and marriage.
Thailand is the world’s largest producer of edible insects, supplying into domestic and regional markets. This research will underpin the development of a roadmap to overcome barriers and which will enable Thailand's edible insect industry to achieve export readiness.
This project focuses on how transitional justice and reconciliation mechanisms and processes interplay and how this interrelationship works in practice across different contexts.
This project addresses particular economic and social issues museums in Coventry and West Midlands are facing, whose issues have been exacerbated by the current pandemic.
The aim of this project is to further our understanding of the motivations, barriers and enablers of diverse communities’ participation in community food activities.
The PI team Phenomena Surface-Michael Polanyi group has recently discovered an enhanced configuration of CCS that has advantages.
This project is proposed to explore the roles of science diplomacy in combating the global plastic pollution.
AIMEC investigates how newcomers in European cities find information about arrival, and how long-established residents, including those with a migration background, support newcomers.
This project asks how we create a positive university climate for student engagement across religion and worldview diversity.
CoPED: Catalogue of Projects on Energy Data
This research project is designed to explore the impact of the Chatty Café Services. To explore how people perceive these services, the difference they make in people’s lives and to understand if there are ways in which these services can be improved.
This research will explore young people’s (aged 18-24) lived experience of borrowing, their use of credit and perceptions of their current (and of their future) financial vulnerability. Young people will actively participate in designing solutions to reduce their financial vulnerability.
The project aims at providing knowledge and skills for women leaders in HE in Vietnam for empowering women leadership in the context of Digitalisation and Globalisation.
The objective is to investigate the challenges and ‘good digital practice’ activities undertaken by museums, primarily with schools, during the pandemic.